Obama is not a poet, he likes prose…

Obama is a poet?

If you are following the US elections, this article may interest all you prose lovers! I have adapted it from the politico website.

President Obama on stump: Prose over poetry

In 2008, Barack Obama closed his campaign with poetry. This time, he’s finishing with constrained, calibrated prose.

Obama’s speeches have defined his political career, and he’s chosen his words for them carefully. There’s no mistaking the contrasts between the one he’s using for the closing argument of his 2012 campaign and the one he delivered over and over again on the precipice of his first term: He’s stopped talking about hope, he’s largely traded in talking about himself as part of a movement and more as a leader of a struggle, and he’s gone from envisioning a united America to fighting off his opponents on the other side of the class and political divide.

In the last days, he’s dropped the sarcasm of “Romnesia” or the supposed lessons he’s learned as president that he actually uses to criticize Mitt Romney — including “You can’t just make things up” and “you represent the entire country.” Still, there’s no missing the smile of a man who’s enjoying making fun of Romney and enjoying people laughing as he does.

Obama still talks about change — that’s been one of his ongoing fights with Romney in the final days. And though he’s sounded more optimistic as his poll numbers have picked up in the closing days, he’s landed on a distinctly George W. Bush-sounding note to drive home his case.

“You may not agree with every decision I’ve made — Michelle doesn’t agree with every decision I’ve made. There may be times when you’re frustrated with the pace of change, I’m frustrated sometimes with the pace of change,” Obama told the crowd in Bristow, Va., Saturday night. “But you know I mean what I say and I say what I mean, and you know where I stand.”

But other than saying he hopes people vote for him, he’s dropped the word entirely from his closing argument this year. In 2008, he devoted paragraphs to explaining what he meant.

“That thing inside us that insists, despite all evidence to the contrary, that something better is waiting around the bend, that insists there are better days ahead,” Obama told a late October crowd in Canton, Ohio, four years ago, quoting his own Iowa caucuses victory speech. “If we’re willing to work for it, if we’re willing to shed our fears and our doubts, if we’re willing to reach deep down inside ourselves when we’re tired and come back fighting harder.”

Summarizing the thoughts of the Americans who struggled throughout history, Obama said, “‘It may look dark tonight, but if I hold onto hope, tomorrow will be brighter.’ That’s what this election is about.”

These days, he frames himself less as the man at the head of a movement and more as a leader out on his own fighting on behalf of the people who put him in charge.

“In one week, you can turn the page on policies that have put the greed and irresponsibility of Wall Street before the hard work and sacrifice of folks on Main Street,” Obama said in Chester, Pa., four years ago. “You can choose policies that invest in our middle-class, create new jobs, and grow this economy from the bottom-up. … You can put an end to the politics that would divide a nation just to win an election. … You can give this country the change we need.”

Read more: http://www.politico.com/news/stories/1112/83355.html#ixzz2BRgqg2SS

Irish Book Awards 2012

The awards will be rather posh!

The Irish Book Awards are being hosted this year in the R.D.S with a Gala Dinner award ceremony on 22nd November. They will also be screened on RTE.

The most exciting thing about this is that there are many excellent short story anthologies nominated to win this year. The Eason novel of the year contains 3 out of 6 short story collections. One of them is Kevin Barry! Can he possibly win an more awards? Oh, I think so.

Vote, Kevin! I’d also like to force/encourage you to vote for Mary Costello “The China Factory” for best newcomer and Tana French in two other categories. But,  whether you vote or not, you really have to read some of the books on these lists.

The Irish just know how to write!

Review:Cheating at Canasta by William Trevor

William Trevor does not mess about.

I just finished his short story collection Cheating at Canasta. I found this in the bargain bin in Eason’s for €3! A shame, really when we see other forms of “Writing” getting the top three positions in the reader’s list.

But, it was great for me as this was the first time I had the chance to properly read Trevor’s writing since my U.C.D Arts days. It also was a welcome piece of calmness after Nathan Englander’s What we talk about when we talk about Anne Frank. Trevor simply writes exquisite pieces of life.

The collection opens with The Dressmaker’s child, which was featured in the Granta Book of Irish Short Stories. The Dressmaker’s child is a wonderfully horrific story of death and moving statues of Holy Mary. It take on a supernatural feel and ends in the way a short story should, in complete wonder. Unfortunately, Men of Ireland is a story that we are only all too familiar with, the story of clerical child abuse. Trevor plays with the reader right until the end and made me feel a bit guilty for disbelieving a homeless man and the story that had stuck with him all of his life. Bravado is a violent and bloodthirsty story and leaves an imprint on the characters and the readers. At Olivehill shows how time and history is irrelevant to some. A mother is left defending her heritage while her sons push modern life onto her home. The children is a story about a grieving father and his daughter and how she copes when her father begins to see another woman and bring her and her children into their house. The grieving daughter shows her anger by reading her deceased mother’s books, a form of rebellion and defiance to what she see her father doing.

The last story was quite blissful in a sick, demented way. Folie a deux is about a man who starts to see someone from the past in his everyday life. This man he sees is not real but the memories of what happened are. We are led skillfully back into the man character’s childhood and into a horrid story of how an innocent game went wrong. This never leaves the narrator’s thoughts and it wouldn’t leave mine, to be honest either!

The collection is a sad and melancholic one. Trevor is not the judge of moralistic lives. Many crimes happen in these stories yet I didn’t feel worn down or depressed by their darkness. Secrets are never left that way and each of the character’s secrets are revealed by the end of the story. They will sit with you.

I just love the way Trevor tells a seemingly simple narrative about simple characters that we can bond with and feel for immediately. There is no need for artistic or literary references here. He does not need to be clever. Instead, he observes life and people and transforms one particular movement in a character’s life, capturing it at the right moment of catharsis.

Great interview with Kevin Barry in New Yorker Magazine

Kevin Barry seems to be everywhere again, all of a sudden. A nice teacher lady on twitter sent me a poster, telling me that Mr. Barry was reading at the Westport Literary Festival. Unfortunately, I won’t be there, I can’t be everywhere!
Then, I ordered a copy of The Moth Magazine and it contained a really detailed interview with Kevin. It was the first time I read much about his personal life and past career so I loved it!
Then, the New Yorker magazine online handed me another free gift of Kevin Barry! Kevin speaks about how landscape and places leave a remnant of mood on him, this then influences him to write a story. Brilliant and this will make sense when you read his stories.
Check the link out here http://www.newyorker.com/online/blogs/books/2012/10/this-week-in-fiction-kevin-barry.html?mobify=0

I’ll be reviewing the Moth Magazine in my next post. Life is good. Anyone got any Kevin Barry interviews or any form of literary, reading or writing links, send them onto me, please! You can follow me on twitter @rozzlewis

 

Joseph O’ Connor on Morning AM talking about short stories


My friend told me that Joseph O’ Connor, author of new short story collection, Where have you been?, was on the Late Late looking slightly older or greyer than he should be!

I had a read a very good review of his new short story collection so I thought I would check out this interview. I am not overly keen on Ryan Tubridy so I watched Morning AM on TV3. In this video clip, Joseph talks about his love for short stories, music and life. He tells us about his new short stories and how they reflect a modern Ireland. Some of the stories are set in Celtic Tiger times and some in the recession. I am dying to read it more than ever now!

Where have you been has been added to my ever expanding reading list, which I will get to. I am nearly finished William Trevor’s Cheating at Canasta but then onto 3 other new collections! Joseph makes some interesting observations about why the Irish are just amazing story-tellers. He puts it own to the Irish and their love of the gossip/story in the pub or coffee shop. I think he is right.

I also disagree with my friend critique of him, Joseph looks really well and pretty funky! He doesn’t looked wrecked or old? Or maybe, I see things through a short story lens!

http://www.tv3.ie/3player/show/184/54238/1/Ireland-AM

Autum/Winter 2012 Writers Workshops in Kilkenny:Can recommend!

As part of their ongoing commitment to Kilkenny writers, Kilkenny County Council Arts Office and Library Service are announcing their Autumn/Winter 2012 Writers’ Workshops.

A course in creative prose under the tutelage of writer Ken Bourke will take place at the City Library on John’s Quay on October 10. It will run every Wednesday from 6pm to 8pm until December 5. Over the eight weeks, participants will have the opportunity to develop their prose-writing skills in a relaxed atmosphere.  They will be encouraged to identify their writing objectives in terms of how, where, what and when they will write. All forms of prose writing, from the short story to the novel, will be explored, and the focus and objectives of the workshop will be tailored to the needs of the participants. All levels of experience are welcome: the diversity of the group will be one of our key resources, but numbers will be limited to encourage full participation by all present. Ken Bourke has been a professional writer for over twenty years and is an experienced facilitator who has worked with a wide range of groups.

Poet Derek Coyle will also facilliate a poetry course which will start on October 9 at Thomastown library and will run until December 4. It will run from 6pm to 8pm. Participants will look carefully at the craft of writing poems and learn some new words and techniques so that they can become more confident readers, and writers, of poetry. Along the way participants will look at a selection of poems by leading contemporary Irish poets: Paula Meehan, Michael Longley, Seamus Heaney, Derek Mahon, Ciaran Carson, Justin Quinn, and Eavan Boland. Participants will learn about the poetic line, basic forms of contemporary poetry like the couplet and the quatrain, and by the end of the course participants will have used this knowledge to build a contemporary sonnet. The workshop will examine lots of ways to get started, from writing poems about paintings, poems about objects, working on versions of poetry in translation, and even horoscopes. Along the way participants will enjoy poems by major international contemporaries, like Derek Walcott, Mark Strand, Thom Gunn, Ruth Padel and Louise Gluck, to name but a few.

Derek Coyle lectures in English Literature and Irish Studies at Carlow College. He has published poems and reviews in The SHOp, Ceide, The Texas Literary Review, and The Irish Literary Supplement. Recently, he has had poems published in Mexico, in Cuadrivio, in their Irish issue. He has been shortlisted for the Patrick Kavanagh Award (2010), and the Bradshaw Prize (2011).

The deadline for bookings is October 5. Participants are expected to sign up and commit to the eight weeks of their chosen course. There is a nominal fee of €10 to secure you place in the course. The workshops will run over a nine week period from the week starting October 8 to December 3. There will be no workshop on the week of the October 29.

Places are limited to 12 participants per course so please book early to secure your place.  These workshops are open to Kilkenny writers only. To secure a place on the above courses please contact the Arts Office on 056 7794133/ 056 7794138 or email kaya.brennan@kilkennycoco.ie

Cork International Short Story Festival 2012:Review Part 2:It’s Kevin Barry!

I was most excited about hearing Kevin Barry read again. I don’t want to sound like crazy lady from “Misery” film but I am officially the number one Kevin Barry fan. I get very annoyed when I see someone else having the cheek to read his books and even worse when they dare to comment on his writing.

 

 

 

Okay, I am exaggerating slightly but you get the idea. Kevin Barry rocks.

He was up first and he read a short story from Dark lies the island( you have to put this on your Christmas list-now!).  This story is set in Gort and about a man called Evan who ends up sleeping in a caravan owned by a strange man who likes kicking staircases and two sisters that like the strange man who kicks staircases. The sisters also have an array of skin haired-lice ridden children running about the place looking “crazed”. Things gets stranger and darker as the story goes on when Evan is locked in the caravan and ends up trying to survive on a tin of Campbells’ tomato soup. I won’t spoil the ending for you but it is very jumpy. Kevin reads with drama and devilment, which kinda reminds me of Eddie Lenihan. Remember him? No, Kevin doesn’t look like him at all but he sounds like him somewhat! I always wonder what the crowd will make of Kevin as his stories are not for the fainthearted and are quite naughty. They seemed to enjoy and laugh at the right moments and anyway, they all paid to see him so they should know what he is like.

Will Boast came on after Kevin, reading from his short story collection Power Ballads, which I haven’t read and probably won’t. Reasons being that I have a heap of books to read and I don’t really “get” American short stories. Yet. I might one day and maybe, then I will feast on his stories. Also, I found it hard to listen as really, Kevin should have read another and the moment was spoiled for me. They both read very differently and their voice and style are completely different and hard to put together. But, there seemed to be a  lot of Will Boast fans as well.

I briefly said hello to Kevin before he read and he tells me he is busy, busy writing! Great or I might have to lock you up in my house and buy you a typewriter and instruct you to get the sequel to City of Bohane finished quickly. I probably wouldn’t hurt his legs though. He has to be able to walk. But, only if he behaved himself.

 

Dublin Book Festival has made me smile!

After Bantry, Cork short story festival, Penfest Carlow, I was feeling a bit down and concerned.

Concerned that the next round of literary festivals wouldn’t start again till next spring but Dublin Book Festival has announced their programme will be ready to go in November!

Something to excite about, life is good but better with books. They haven’t released the programme yet but when they do I will be the first(or second) to let you know what is worth a look.

www.dublinbookfestival.com

Cork International Short Story Festival 2012:Review Part 1

Back in 2000, someone in the Munster Literature Centre had an idea.

They wanted to organise an event to worship at the altar of the short story form. They dubbed it the “Frank O’Connor International Short Story Festival” It was a great success but that was not good enough, no, it wasn’t. In 2002, the Seán Ó Faoláin Short Story Prize was introduced. To top things off, in 2005 the Frank O’Connor International Short Story Award was added to the festival’s greatness.

2012 was to be my first visit to this festival and I didn’t need an excuse to return to Cork City! I booked in for all the events on Saturday apart from John Banville. If you have read my post on writing.ie here on John Banville’s reading at Huntington Castle, you might see why I declined to attend. Next time, John, maybe.

My Mother she killed me, my father he ate me:Readings  and discussion from Kate Bernheimer’s new book of the same title.

All the events I attended were held in the stunning building of Triskel Christ Church.

The first reading I attended was My Mother she killed me, my father he ate me, a reading on the place of fairytales in adult reading, which was being chaired by Gearóid Ó Crualaoich, former Head of Folklore and Ethnology at UCC( amongst many other things!)

We were treated to a brilliant reading of a re-imagining of the Russian fairytale of Baba Yaga. See description here. The lady who read, whose name I did not get, was hilarious. She used a range of child-like voice, Cork and Kerry slurs with an occasional posh gentleman for the villain. A great start.

Next up was Kate herself who spoke about her constant love and commitment to the fairytale. I wanted to ask her what her favourite fairy-tale was but I guess she gets asked that a lot. She must have pre-empted this question as she told us that she has n favourite, she loves them all. Aw.

Kate Bernheimer-she likes her fairytales
Discussion on the fairytale

After Kate, came Ilya Kaminsky. He has published many poetry collections, the most well-known being Dancing in Odessa. He reads in a distinctively mesmerising style, full of emotion and in a “Eastern European Shamansitic” way. He had his story projected behind him which was very helpful to the visual learners. It can be hard to simply listen! Teachers, take note! Ilya is a unique reader, people say it’s because English is not his first language or because he is deaf but I think it’s because he is simply Ilya and he will always read this way, with passion and drama, the way good writing deserves. It’s courageous as there are quite set reading styles out there.

Ilya Kaminsky-original wordsmith

Then Gearóid panelled a question and answer discussion type affair. To be honest, I could have listened to this man all day. His life time research project has been in the area of the traditional narrative. More, more!

I treated myself to a copy of Kate’s book afterwards. It contains 40(41, Kate tells us!) re-imagined stories inspired loosely and non-loosely by a fairy-tale that Kate had given to the author. There’s a couple of Irish fairy-tales and all the old favourites of Rumplestiskin, Snow White, Blue Beard. The author include Neil Gaiman, Michael Cunningham, Aimee Bender, Kelly Link, Lydia Millet and many more. When I finish, I will do a review on it!

Kate was at the festival giving a workshop on the fairy-tale, I would have loved to have taken part but they were held during the week. I really enjoyed this reading and was also looking forward to my personal highlight: Kevin Barry. My review on his reading is coming up next in Part 2. Hope you can wait!

 Kate’s website can be found here at www.katebernheimer.com or follow her on twitter @fairytalereview and Ilya’s website can be found here at www.ilyakaminsky.com

Five Dials:free mag-stories from Kevin Barry, Nuala Ni Chonchuir and Lydia Davis et more!

Twitter is great for following new literary talent and any sort of bookish and writing news. I follow the brilliant Nuala Ni Chonchur, who not only writes and writes novels, poetry and short stories, teaches classes but she also runs a pretty cool blog. It is called http://womenrulewriter.blogspot.ie/. I think she writes 3 other blogs too but let’s just focus on this one. Easy now!

Nuala’s twitter handle is @NualaNiC and she is a brilliant social conversationalist. She tweets you right back and if you make a comment on her blog, she replies! That’s manners for you!

Seriously, though her blog and tweet alerted me to the Five Dials magazine. I have heard of it before but didn’t quite realise how good it was. I must admit I only really went to delve into it properly when I saw these 4 words-Kevin.Barry.new.writing.

But, this issue not only has writing from himself, it has short stories, fiction, poetry and strange images from Nuala Ni Chonchuir, Lydia David, Mike McCormack and D.W Wilson. Kevin’s story is well, very Kevin. A story called “The lovely Miss-what’s her face” is about a frustrated young man with psoriasis who likes to cook spaghetti bolgonese. Little does he know is that a man will never find a nice, young girl if he is going ot present her with a made from scratch spag bol. This woman is not really after the spag bol.

Nuala’s story Room 313  is really, really nice and sad and tender and the ending just hits the right spot. It’s about a chambermaid and the things she sees, the work she does/doesn’t do and her favourite room, Room 313. The chambermaid kicks some bottom at the end.

So, you can see why I am so excited because not only does five dials have these amazing short story writers and other bits of fiction and poetry, it also puts out  a call to all.

Zsuzsi Gartner is another pretty cool short story writer(why so many?), she is looking for people to “adopt” her short stories. She gives eleven of her story starters and you have to write to her, the old fashioned way and ask for adoption rights. She will send you a cert and you must finish the story. Simple.

I wish. Your story may be published in a future issue of Five Dials. I am going to have a go so why not you?

The link to the Five dials Issue 25 can be found here. and Nuala’s blog at here.

I am so good to you, you know.