Under Thirty writing project to be launched

Under Thirty Writing project

Stephen Doherty had an idea. He contacted me a while back to tell me about this idea. As you know, I am part of the Carlow Co-operative Writers’ Group and we love writing, reading and giving feedback. Stephen was looking for reviewers to help aspiring writers under 30. I was very excited and honoured to be asked so we started a conversation up!

In my first guest blog, he answers some questions about his new project

What is the project about?

Under Thirty is a new and unique non-profit project that nurtures and showcases young Irish fiction at home and aboard. It provides writers with access to a panel of experienced writers, literary scholars, editors and publishers who work entirely voluntarily to review submissions and provide feedback and encouragement to the country’s aspiring writers.

Where did the idea for the project originate?

The idea originally came from my experience working with young people over recent years. Although coming from very different backgrounds, a commonality was that many of them used creative writing as a means of communicating their own internal worldview to the outside world – be it to a psychologist, a friend, a parent, or even to a stranger. Expressive writing can have a powerful cathartic effect for a writer, especially in a therapeutic setting. Coupled with the added dimension of fiction, such a process allows a writer the freedom to take a step back from the situation, and to share it with others without feeling embarrassed or exposed – a form of: “my friend has a problem”. Others would also use examples from their favourite stories to relate their problems to what the characters in the stories are going through, and to express their emotions through a third party.

This concept of book therapy, or bibliotherapy, is employed as a psychological method and has a range of uses, and an important factor of its success is the perception of the writer of the attentiveness of the person they are sharing their story with. In a time where we have been encouraged to listen to the younger generation, to our children, it seems that many of them, at least in my experience, feel listened to but not truly heard.

In retrospect, this was the planting of the seed for the Under Thirty project. I wanted to find a way that these people could express themselves to the world and feel that they were really being listened to. By having established writers and scholars reading their stories, this adds a strong element of support, mentorship, and community to budding writers all over the country and abroad.

What do the panel do?

The panel consists of over fifty volunteers who offer their time and expertise to the project and its writers. After a blind preview process, all entrants are given back their manuscripts with suggestions and advice from the panel. The most promising submissions are selected for publication in a bi-annual journal, the first of which will be published in December. In this way, writers can be assured that their work speaks for itself, and the panel of reviewers have the freedom to truly feed back into the development of new writers, and provide them with the constructive criticism and motivation to go even further with their work.

The panel have been very supportive and helped the project reach out into many networks around the country and abroad. We have heard from schools, universities, writing groups, libraries, broadcasters and politicians, who are keen to be involved, and in this way it has grown from strength to strength.

How can submissions be made?

The project homepage www.under-30.org is the base for the project. Writers can make submissions via the website, and we also use it and social media channels to provide information about funding opportunities in the arts, connect writers of all experiences with one another through events and online fora, and to add to our growing pool of freely available resources for new writers. The deadline for the first issue is midnight on November 7th, 2012, but the bi-annual nature of the project means that the next deadline is never too far away and we can provide a very reasonable turn around to the entrants. The inaugural issue will be published in December as a soft-bound book and also as an e-book at a special event at Dublin City University.

Biography

Stephen Doherty is a post-doctoral research fellow in Dublin City University, where he researches and lectures in areas of psychology, cognition, and language. He has several years of experience as an editor, writer, and translator, and smattering of publications.

Website: www.under-30.org

Facebook: www.facebook.com/underthirty

Twitter: @underthirty

Great interview with Kevin Barry in New Yorker Magazine

Kevin Barry seems to be everywhere again, all of a sudden. A nice teacher lady on twitter sent me a poster, telling me that Mr. Barry was reading at the Westport Literary Festival. Unfortunately, I won’t be there, I can’t be everywhere!
Then, I ordered a copy of The Moth Magazine and it contained a really detailed interview with Kevin. It was the first time I read much about his personal life and past career so I loved it!
Then, the New Yorker magazine online handed me another free gift of Kevin Barry! Kevin speaks about how landscape and places leave a remnant of mood on him, this then influences him to write a story. Brilliant and this will make sense when you read his stories.
Check the link out here http://www.newyorker.com/online/blogs/books/2012/10/this-week-in-fiction-kevin-barry.html?mobify=0

I’ll be reviewing the Moth Magazine in my next post. Life is good. Anyone got any Kevin Barry interviews or any form of literary, reading or writing links, send them onto me, please! You can follow me on twitter @rozzlewis

 

Autum/Winter 2012 Writers Workshops in Kilkenny:Can recommend!

As part of their ongoing commitment to Kilkenny writers, Kilkenny County Council Arts Office and Library Service are announcing their Autumn/Winter 2012 Writers’ Workshops.

A course in creative prose under the tutelage of writer Ken Bourke will take place at the City Library on John’s Quay on October 10. It will run every Wednesday from 6pm to 8pm until December 5. Over the eight weeks, participants will have the opportunity to develop their prose-writing skills in a relaxed atmosphere.  They will be encouraged to identify their writing objectives in terms of how, where, what and when they will write. All forms of prose writing, from the short story to the novel, will be explored, and the focus and objectives of the workshop will be tailored to the needs of the participants. All levels of experience are welcome: the diversity of the group will be one of our key resources, but numbers will be limited to encourage full participation by all present. Ken Bourke has been a professional writer for over twenty years and is an experienced facilitator who has worked with a wide range of groups.

Poet Derek Coyle will also facilliate a poetry course which will start on October 9 at Thomastown library and will run until December 4. It will run from 6pm to 8pm. Participants will look carefully at the craft of writing poems and learn some new words and techniques so that they can become more confident readers, and writers, of poetry. Along the way participants will look at a selection of poems by leading contemporary Irish poets: Paula Meehan, Michael Longley, Seamus Heaney, Derek Mahon, Ciaran Carson, Justin Quinn, and Eavan Boland. Participants will learn about the poetic line, basic forms of contemporary poetry like the couplet and the quatrain, and by the end of the course participants will have used this knowledge to build a contemporary sonnet. The workshop will examine lots of ways to get started, from writing poems about paintings, poems about objects, working on versions of poetry in translation, and even horoscopes. Along the way participants will enjoy poems by major international contemporaries, like Derek Walcott, Mark Strand, Thom Gunn, Ruth Padel and Louise Gluck, to name but a few.

Derek Coyle lectures in English Literature and Irish Studies at Carlow College. He has published poems and reviews in The SHOp, Ceide, The Texas Literary Review, and The Irish Literary Supplement. Recently, he has had poems published in Mexico, in Cuadrivio, in their Irish issue. He has been shortlisted for the Patrick Kavanagh Award (2010), and the Bradshaw Prize (2011).

The deadline for bookings is October 5. Participants are expected to sign up and commit to the eight weeks of their chosen course. There is a nominal fee of €10 to secure you place in the course. The workshops will run over a nine week period from the week starting October 8 to December 3. There will be no workshop on the week of the October 29.

Places are limited to 12 participants per course so please book early to secure your place.  These workshops are open to Kilkenny writers only. To secure a place on the above courses please contact the Arts Office on 056 7794133/ 056 7794138 or email kaya.brennan@kilkennycoco.ie

Cork International Short Story Festival 2012:Review Part 1

Back in 2000, someone in the Munster Literature Centre had an idea.

They wanted to organise an event to worship at the altar of the short story form. They dubbed it the “Frank O’Connor International Short Story Festival” It was a great success but that was not good enough, no, it wasn’t. In 2002, the Seán Ó Faoláin Short Story Prize was introduced. To top things off, in 2005 the Frank O’Connor International Short Story Award was added to the festival’s greatness.

2012 was to be my first visit to this festival and I didn’t need an excuse to return to Cork City! I booked in for all the events on Saturday apart from John Banville. If you have read my post on writing.ie here on John Banville’s reading at Huntington Castle, you might see why I declined to attend. Next time, John, maybe.

My Mother she killed me, my father he ate me:Readings  and discussion from Kate Bernheimer’s new book of the same title.

All the events I attended were held in the stunning building of Triskel Christ Church.

The first reading I attended was My Mother she killed me, my father he ate me, a reading on the place of fairytales in adult reading, which was being chaired by Gearóid Ó Crualaoich, former Head of Folklore and Ethnology at UCC( amongst many other things!)

We were treated to a brilliant reading of a re-imagining of the Russian fairytale of Baba Yaga. See description here. The lady who read, whose name I did not get, was hilarious. She used a range of child-like voice, Cork and Kerry slurs with an occasional posh gentleman for the villain. A great start.

Next up was Kate herself who spoke about her constant love and commitment to the fairytale. I wanted to ask her what her favourite fairy-tale was but I guess she gets asked that a lot. She must have pre-empted this question as she told us that she has n favourite, she loves them all. Aw.

Kate Bernheimer-she likes her fairytales
Discussion on the fairytale

After Kate, came Ilya Kaminsky. He has published many poetry collections, the most well-known being Dancing in Odessa. He reads in a distinctively mesmerising style, full of emotion and in a “Eastern European Shamansitic” way. He had his story projected behind him which was very helpful to the visual learners. It can be hard to simply listen! Teachers, take note! Ilya is a unique reader, people say it’s because English is not his first language or because he is deaf but I think it’s because he is simply Ilya and he will always read this way, with passion and drama, the way good writing deserves. It’s courageous as there are quite set reading styles out there.

Ilya Kaminsky-original wordsmith

Then Gearóid panelled a question and answer discussion type affair. To be honest, I could have listened to this man all day. His life time research project has been in the area of the traditional narrative. More, more!

I treated myself to a copy of Kate’s book afterwards. It contains 40(41, Kate tells us!) re-imagined stories inspired loosely and non-loosely by a fairy-tale that Kate had given to the author. There’s a couple of Irish fairy-tales and all the old favourites of Rumplestiskin, Snow White, Blue Beard. The author include Neil Gaiman, Michael Cunningham, Aimee Bender, Kelly Link, Lydia Millet and many more. When I finish, I will do a review on it!

Kate was at the festival giving a workshop on the fairy-tale, I would have loved to have taken part but they were held during the week. I really enjoyed this reading and was also looking forward to my personal highlight: Kevin Barry. My review on his reading is coming up next in Part 2. Hope you can wait!

 Kate’s website can be found here at www.katebernheimer.com or follow her on twitter @fairytalereview and Ilya’s website can be found here at www.ilyakaminsky.com

Five Dials:free mag-stories from Kevin Barry, Nuala Ni Chonchuir and Lydia Davis et more!

Twitter is great for following new literary talent and any sort of bookish and writing news. I follow the brilliant Nuala Ni Chonchur, who not only writes and writes novels, poetry and short stories, teaches classes but she also runs a pretty cool blog. It is called http://womenrulewriter.blogspot.ie/. I think she writes 3 other blogs too but let’s just focus on this one. Easy now!

Nuala’s twitter handle is @NualaNiC and she is a brilliant social conversationalist. She tweets you right back and if you make a comment on her blog, she replies! That’s manners for you!

Seriously, though her blog and tweet alerted me to the Five Dials magazine. I have heard of it before but didn’t quite realise how good it was. I must admit I only really went to delve into it properly when I saw these 4 words-Kevin.Barry.new.writing.

But, this issue not only has writing from himself, it has short stories, fiction, poetry and strange images from Nuala Ni Chonchuir, Lydia David, Mike McCormack and D.W Wilson. Kevin’s story is well, very Kevin. A story called “The lovely Miss-what’s her face” is about a frustrated young man with psoriasis who likes to cook spaghetti bolgonese. Little does he know is that a man will never find a nice, young girl if he is going ot present her with a made from scratch spag bol. This woman is not really after the spag bol.

Nuala’s story Room 313  is really, really nice and sad and tender and the ending just hits the right spot. It’s about a chambermaid and the things she sees, the work she does/doesn’t do and her favourite room, Room 313. The chambermaid kicks some bottom at the end.

So, you can see why I am so excited because not only does five dials have these amazing short story writers and other bits of fiction and poetry, it also puts out  a call to all.

Zsuzsi Gartner is another pretty cool short story writer(why so many?), she is looking for people to “adopt” her short stories. She gives eleven of her story starters and you have to write to her, the old fashioned way and ask for adoption rights. She will send you a cert and you must finish the story. Simple.

I wish. Your story may be published in a future issue of Five Dials. I am going to have a go so why not you?

The link to the Five dials Issue 25 can be found here. and Nuala’s blog at here.

I am so good to you, you know.

Carlow Writers close Penfest Writing Festival 2012

The writing group that I am in,  Carlow Writers Co-operative were given the honour of closing the annual Penfest Festival in Carlow Town last Sunday.

Members read new pieces of work in the GB Shaw Room in Carlow Town Library. There was a mix of prose and poetry, which was well received by the audience.

I read a short story which was strongly influenced by the Rose of Tralee and Bad teacher. You will have  to wait!

Carlow Writers’ Group read and no one gives any feedback

The Carlow Co-operative Writing Group met back again last night after our summer break. It really was quite shcoking to see how quickly the 2 and a half months had flown by! After a few minutes of chatter about how much we had written that summer(?), we all headed up to our usual cosy bar upstairs for a bit of the ol’ writing, listening and…timing…

The writers’ group is usually the same format. Someone reads, we listen and then we say how much we love it and then how much we would like to change it. We are a naughty bunch.

But, last night felt different and that’s because it was different. tonight the format would be read and get timed by me! Let me explain…We are reading at the Penfest Literary Festival in Carlow and to read successfully, one cannot simply show up and read for as long as one chooses. No, there must be a time limit and I decided that 5 minutes was the perfect amount of time for anyone to hear someone read for. I was armed with my android timer on my mobile and was not accepting anything over the 5 minute mark. Not even a second.

It almost worked out only for a lovely, little story about Katie Taylor, which made us all go “Ahhh” and forget about the time. But, that was it! Everyone stayed under the 5 minute mark and were all well-behaved as well.

Phew.

But, it felt empty and odd. After, we finished reading, I had to move on straight away to the next piece of writing. No time to give positive feedback or debate over the use of a coma or whether a poem was a vignette or not. No, we got on with the job of reading and we finished after two hours, rewarding ourselves with a chat down in the Teach bar.

As I walked home, Simon and I went through the night. At last, we could speak and say how great we all were!

Come see and hear us read at 4:30 in the Carlow Library this Sunday, 16th September. You will be glad you did and I might even take my eye off the timer and allow you give us some feedback!

The website for Penfest is here.

Teacher teachers to teach children how to write!

I am absolutely no expert in the field of writing but I enjoy writing and reading. In my outside life, I am a teacher and really love teaching children how to write, read and love and be interested and curious in life.

This summer I had the chance to facilitate and design  a course entitled “Enabling creative writing in the classroom” in Kilkenny Education Centre. I worked with about 25 primary teachers and we got some great writing done! I probably spoke far too much about Stephen King( and maybe, I mentioned Kevin Barry once or twice!) but I aim to remind teachers of the power they command when they go to work every day. What a responsibility!

My husband and I work on an educational technology blog as well as rozz.ie. I will be writing a couple of article on my thoughts, ideas and tips of helping children and the teacher to begin to write.

You can find those articles coming soon on www.anseo.net.

 

6 word Short Story competition

There seems to be a competition for every form of writing and this one is for all of you with little concentration!
6 words to tell a story? Check out some of the shortlist for this competition which ends on 30th September.
I like the frog.song.sprog one.

http://www.fleetingmagazine.com/six-word-story-competition-shortlist/

Winner of 2012 Sean O’ Faolain Short Story Competition is announced

The 2012 Sean O’Faolain Competition has been won by Sophie Hampton who is currently studying creative writing at Sheffield Hallam University (UK), Her story “White Socks & Weirdos” came first in a field of almost 1000 entries. There was a 50% increase in entries this year with UK entrants outnumbering US entrants for the first time. It’s also the first time the prize has gone to a British resident. Second place this year went to another Briton Thomas Watson of London for his story “Cafe at the V&A”. The runners-up are Dan Purdue of Britain, Maree Spratt of Queensland Australia, Ferdia Lennon of Dublin and David Mohan of Co. Dublin. All these six stories will be published in Southword next winter. Eighteen other writers have been commended for their entries.

You can read more and book workshops, talks and readings at the www.munsterlit.ie  or http://www.corkshortstory.net/ website, where the Short Story Festival 2012 will be held in Cork City.

I am heading down for the weekend, have booked my tickets for as many events as I can! Staying in the lovely Maldron Hotel, where I received a pretty good discount for accomodation when I mentioned the words “Short story festival”

Go on, you know you want to.