Flannery O Connor’s Mystery and Manners

As you know, I am a member of the Carlow Writers’ Co-operative, I love it but recently I have noticed that most of the writers are turning to poetry…Hmmm, is poetry the new black? We have three fiction writers and two short story writers, me and another girl. We met at my gaff after baby went down to talk all things short and to critique and overhaul each others work.

flannery

She brought me a  copy of Flannery O’ Connor’s Writing manual type book, Mystery and Manners. It is made up of her thoughts and lectures on writing prose with a full chapter dedicated to the short story form. I have just finished that very chapter and it is brilliant, of course. She speaks about the two main and important parts of the short story. They are, according to her, mystery of the personality of the characters as in the character needs a personality and the second and probably most important things is the concrete, the visual and the senses. What does the writer see, what does the writer want the reader to see and feel or get meaning from? In fact, her musings and advice remind me of a poetry workshop i did last week with A Doctor Derek Coyle…Perhaps, poetry and short stories are more similar than we think.

Mystery and Manners by Flannery O’ Connor is available from every good place you can buy books, i would think. Amazon has it http://www.amazon.com/Mystery-Manners-Occasional-Flannery-OConnor/dp/0374508046

 

Poem for Ireland:My Top Three:Guest Post by Simon Lewis

Poem for Ireland – my top 3 – Simon Lewis

simonmlewis

Of the ten poems in the shortlist, I’m not sure if I’m heading into Rick O’Shea territory by admitting I had only read 6 out of the 10 of them before. I think I get away with this as most of these 6 were not on the Leaving Cert syllabus. Also, I can’t think of any reason why I would have chosen to read the two poems in the Irish language so I’m giving myself a pat on the back before I even get down to business. (As an aside, I have to begrudgingly admit, I liked Ailbhe Ní Ghearbhuaigh’s poem.)
It was quite difficult to choose my top 3 poems from the list as some of them are so good in different ways. I loved the clever rhyming in Louis MacNeice’s Dublin, and I found myself a bit emotional reading Séamus Heaney’s When all the others were away at Mass. To make my task easier, I don’t like Paul Durcan’s poem at all. Eavan Boland’s poem isn’t my scene either. The other Irish poem, well, it was a bit too Irish.
This wouldn’t be a blog post without giving out that my favourite poem wasn’t in it. In fact, every Facebook status about this list seems to question the exclusion of certain poets or poems. Patrick’s Kavanagh’s A Christmas Childhood is in the shortlist. I was surprised it wasn’tStony Grey Soil, Inniskeen Road: July Evening or In Memory of my Mother. My favourite one of his is Epic. In any case, the chosen poem on the shortlist fell outside my top 3 so I’m sure Patrick Kavanagh is very disappointed and rolling in said grey soil.
From the shortlist, it was hard not to choose Disused Shed in Co. Wexford. There’s very few poems that are able to capture everything and Derek Mahon does it so well. The first line:
Even now there are places where a thought might grow —
 
sets us up from tiny insignificance to the seemingly equally insignificant shed in Wexford and then it just goes nuts and takes off! Somehow, Mahon manages to take in everything in the poem and, I guess, it was always going to be number one.
My second favourite poem from the list was Heaney’s. I have no idea why I didn’t want to like this poem so much – maybe I was subconsciously trying not to pick him – but, as I said above, it made me quite emotional. Very little makes me like this, especially poetry, but I found myself in his world and connecting my own experience of losing my mother. Heaney and I couldn’t come from two more different Irish cultures but for this poem, we shared a feeling.
The third poem in my top three was Easter 1916 by Yeats. I don’t know why but I just like it a lot. I’m currently editing an online magazine called Sixteen, which explores themes from the 1916 Rising and this poem was the stimulus for its second issue so maybe that’s one of the reasons why. I’m not at all nationalist in my own outlook in life and there’s little of the poem that I relate to on a personal level. I do however love the clever rhyming scheme throughout. I like the form and the repetition of A terrible beauty is born. It’s a great poem and I wouldn’t be surprised to see it competing with Mahon’s poem in the national vote.
I was thinking that if the poets remained the same but a different poem was chosen for each of them, what would my top three have been? I think Paula’s Meehan’s Death of a Field would have easily made it. As I said Kavanagh’s Epic would have got the top spot. I’d probably still have Derek Mahon in there and it probably would be the same poem or maybe Antarctica.
It’s great to see that poetry is getting an airing on the national airwaves and hopefully it will continue and give some of our newer poets the space to showcase a more modern Ireland.
Simon Lewis is a primary school principal in Carlow Educate Together. He is has been listed for the Hennessey Prize for Emerging Poetry 2014 and is awaiting the results at the end of February. He has also been listed for the Listowel Poetry Prize, Dromineer Literary Prize and a special commendation in the Patrick Kavanagh Poetry Awards 2014. He has also been published in many literary journals and magazines to name a few- Boyne Berries, the Blue Max Review, Irish Literary Review Silver Apples, Black Water and RTE’s Arena New Planet Cabaret book.

A poem for Ireland on RTE

The shortlist for A Poem for Ireland has been revealed, interesting and as predicted poets to be found. The website has a list of the poems along with a little, Leaving Cert type analysis with audio and videos with brilliant archived materials with poet’s bio. This is a great initiative, it might just reinvigorate some people into reading poetry again but it definitely shows off the amazing genius of poets that we have in Ireland. Whatever slant you take it from, you will get something from it.

POSTER_Poem-For-Ireland-1024x723

On Television, RTÉ Television’s flagship arts show The Works (Fridays, 8.30, RTÉ One) will feature mini-documentaries on two of the poems each week. And each week, you’ll be able to listen to ordinary people from offices and workplaces across Ireland reacting to each of the 10 poems on RTÉ Radio One’s The John Murray Show (weekdays, 9a.m., RTÉ Radio One)

The website says the public have 6 weeks to decide on their fave, they don’t give a date but I’ve worked that out to be around the first week of March.

I am going to be looking at each poem briefly along with some other bloggers and we will pick our favourite.

Reading during motherhood

I have been absent for a while. No apologies given. We had our first baby, a boy, 3 weeks ago and the only reading I have been doing since then is Annabel Karmen’s Essential Guide to the First year of a baby and the text replies from my fellow Mum friends!

makingbabies

I read an excellent book by Anne Enright before baby boy arrived. It is called “Making Babies” and is written in typical Anne enright fashion, quirky and country cool. Other books I have been reading are what we might call “light” for example Tana French’s new crime novel “The Secret Place” I love Tana French and always devour her latest books, though not considered literary, I am sure by some harsh critics, her books are written in an intelligent language. She captures Ireland perfectly and scares the hell out of me with what goes on in the pages!

I’ll be back very soon, but am enjoying my little one too much. rozz.ie has been short listed for Best Mobile Compatible Blog at the upcoming Blog Awards Ireland and it is an event I hope to attend, with my little tucked away with a caring family member in the hotel! If I can drag myself away from him!

Keep in touch!

 

Sixteen Literary Magazine looking for writing!

Sixteen Literary Magazine is a free online magazine that aims to use the 1916 centenary to help emerging and professional writers craft new work based on the 1916 Easter Rising. We are deeply interested in how Ireland has changed in the last 100 years since and want to explore how the events of that week in 1916 have shaped us as a nation today or if they did at all.

www.sixteen.ie
www.sixteen.ie

Neither of the editors of Sixteen are historians. We are interested in good writing and we’re not adverse to a bit of visual art.

On the 16th of every month leading up to the 16 months before April 2016, we will publish an issue of our magazine online with the best pieces of work we receive. Each month, we will give a prompt relating to the Easter Rising. It might be an event, a character, a building or a piece of art. We will offer some ideas to whet your creative juices and then it’s up to you.

All submissions should follow our guidelines and we only accept work through our web form. Editors have the final decision on the final piece. Your piece of writing may need editorial help and support and we reserve all rights to make these changes to ensure the standard is good for our magazine.

Please, go to www.sixteen.ie to view the magazine, submission guidelines and possible prompts and themes. You may be inspired by the themes or not! Your response can be loose or tight!

www.sixteen.ie

 

 

 

 

The Dead by Peter Murphy in Dubliners 100

I have had so much fun reading the original Dubliners alongside the new Dubliners 100 from Tramp Press. It has been great to revisit the masterpiece that is Joyce and also to be introduced to some new stories for the new re-imagined Dubliners 100.

www.faber.co.uk
www.faber.co.uk

The Dead by Peter Murphy was a story that made me feel anxious before I had even read it but there was no need. Though, it is not entirely shaped by the original, the ending cleverly mimics the original in a bold way. This story is set in a post apocalyptic future and is told in a quirky, first person narrative which works really well. The final few paragraphs, though impossible to better Joyce, are apt. Apt for the end of this story and apt for the end of the collection.

Dubliners 100 is well, well, well worth a read and i would recommend reading the stories side by side as I did. I don’t usually get the time to re-read loved short stories so this was a great opportunity for me. Dubliners 100 is totally and utterly different to the original, in style, theme and setting, at times but it will hold its place in terms of what Ireland is and what it is becoming. Joyce would have enjoyed it.

Dubliners 100 is published by Tramp Press and edited by Thomas Morris.

The Dead by James Joyce

Hard to say anything new about this story but I’ll say I love it, firstly! A very perfect short story with the last few pages building up in the way a short story should do- a little bit of a twist and an understanding of the world is shown through the eyes of Gabriel, the main character.

houseofthedead

I love so many things about this story-the fact it is set in snow and winter and Christmas. The quirky dinner party, singing and drunken people.The hugely interesting main characters of Gabriel and Gretta, his wife. The human relationships at the heart of it, the fact that we cannot truly no a person or think we know. The shock of it all.

Peter Murphy takes on this story in the new Dubliners 100. I am almost afraid to read it as I have read many reviews that say the original Dead is not even noticed or referenced in Murphy’s story. I have also read interviews with him where he says he wasn’t phased about this task. I find that odd and wonder if this is the truth. I think when you have the world’s greatest and most well-known short story, that to say you wouldn’t be phased by re imagining it is slighting unnerving to me.

The Dead is the last short story in the Dubliners collection by James Joyce.

The Book of Gaza-a city in short fiction-The Gazan Short Story

The Book of Gaza-a city in short fiction

The Book of Gaza is the latest in Comma Press’ series of city short story books. Right now, it’s the most relevant so I was really interested in seeing what it would be about. It is  made up of ten short stories, written by pioneers of the Gazan short story to more younger authors of the form. It aims to show us a world that goes beyond the media and propaganda out there.

commapress.co.uk
commapress.co.uk

Half of the authors are written by women and very much centre on female issues-the body, sexuality, relationships and family. Most of the short stories are based in or around the sea, this being an important emblem of freedom or independence, I would think.

The collection opens with A journey in the opposite direction and is written by a young author, Atef Abu Saif. It documents a day in the life of some young people in the city of Gaza and how their lives connect and merge. It was a chance for me to throw off the preconceived images I might have had of the city of Gaza and the camps. It portrayed a youth in a hopeful city of cafes and street corners but never forgetting where they are.

The next story I’d like to mention is The Sea Cloak by young writer and Palestinian activist Nayrouz Qarmout. It opens dramatically with a scene of 2 children playing “Jews and Arabs” and centres around the sexual coming of age of the female character in it. The sea takes centre stage and it is where the girl has her first sexual encounter. Beautifully written and the setting blew me away. We also get insight into the way the females are treated in this part of the world and how the women there struggle to be heard and be treated as equal.

The Whore of Gaza by Najlaa Attaallah shows us an empowered women living in the Gaza strip. She takes full control, or so she thinks by the end of the story. Really interesting and artistic imagery here.

Possibly, my favourite was A White flower for David. Before I started reading this, I was apprehensive as I thought it may be written from a very pro-Palestine perspective but this story manages to help the reader see both sides of the conflict. We have a relationship between an Israeli soldier and his family and a Palestinian family. We see one version of what it must be like to live in one of the refugee camps. Very touching and sentiment is held back.

In Abu Jaber goes back to the woods written by the father of the Gazan short story, Zaki al’ Ela, we see a very aggressive and bloody, confused refugee camp. This is a place of turmoil and interesting that this collection chooses to give us many sides, many settings, many feelings, opinions and questions but yet, we can come to the conclusion that nothing is as simple as is portrayed. Even within this piece of fiction, we will need to read widely, question frequently and hope and care for all the humans affected by this history, conflict and setting in the Gazan strip.

This collection is worth a read absolutely. I am not sure how much of it would have been censored at the time but because we have ten stories to read and take in, we can start to see a common thread-the human condition and this is the beauty of the short story. It works.

The Book of Gaza-a city in short fiction published by Comma Press and edited by Atef Abu Saif is available now. Get it now while you can be part of the debate.

 

Grace-a short story in Dubliners by James Joyce

this story opens with a strange scene. A man, Mr. Kernan has fallen down  stairs in a pub in Dublin city and is unconscious. After much confusion, Mr. Kernan leaves with a friend of his, Jack Power. Mr Kernan seems unable to talk about or remember what has happened.

joyce

When they get home, Mr. Kernan goes to bed and Mr. Power speaks to the children and Mrs. Kernan. Mrs Kernan is worried about her husband’s drinking and Mr Power promises to help.

The story then moves to a Jesuit Church service and we hear the priest, Father Purdon speaking.  Mr. Kernan,  Mr. Power, and some other male friends sit by each other. From the red-lit pulpit, Father Purdon preaches and calls himself a spiritual accountant of sorts.

He tells them to count up their sins and compare the sins to their clear conscience. He tells them if this balances, God’s grace will save them if their faults are rectified.

Some nights later, Mr Kernan’s friends visit him to help him to turn over a new leaf and join a Catholic retreat or cleansing service. Mr. Kernan is a former protestant who became a Catholic due to his wife’s pressure but never really accepted the church. His friends reveal their plans for the retreat and start to talk about religion.

Mr. Kernan does agree that he will join the retreat but refuses to light any candles saying that he does not believe in magic.

This story is structured under a framework of  fall, conversion, and redemption in terms of religion.

The story divides up into three pieces and each piece show the process of redemption.

Mr. Kernan is literally the “fallen man.”

The second part of the story looks at Mr. Kernan’s conversion,and his friend’s reliance on big terms and names to make themselves look serious and pious. Is Mr. Kernan’s conversion a sham.

The last part of the story is meant to deal with Mr. Kernan’s “cleansing” yet it doesn’t happen. He goes to church and listens to the priest, but the story does not follow his rise from the fall.

The church is critiqued. It is not a place of healing at all as it should be. Interesting that Father Purdon shares his name with the name of the street that is home to the red-light district, or prostitution area, of Dublin, and his pulpit ha  a red light. All images pointing to sin not redemption.

Joyce is asking if grace can save a man from sin. Mr Kernan has no sin. The priest has no grace either and acts like an accountant. These men are all searching for grace yet never find it. A cycle that goes on and on throughout Dubliners.

Grace is published in Dubliners by James Joyce.

The Book of Gaza-Comma Press

The Book of Gaza

You all know I love the short story form so when Comma Press asked me if I wanted a review copy of the latest “Book of” series, of course I was very excited!

commapress.co.uk
commapress.co.uk

Under the Israeli occupation of the ’70s and ’80s, writers in Gaza had to go to considerable lengths to ever have a chance of seeing their work in print. Manuscripts were written out longhand, invariably under pseudonyms, and smuggled out of the Strip to Jerusalem, Cairo or Beirut, where they then had to be typed up. Consequently, fiction grew shorter, novels became novellas, and short stories flourished as the city’s form of choice. Indeed, to Palestinians elsewhere, Gaza became known as ‘the exporter of oranges and short stories’.

This anthology brings together some of the pioneers of the Gazan short story from that era, as well as younger exponents of the form, with ten stories that offer glimpses of life in the Strip that go beyond the global media headlines; stories of anxiety, oppression, and violence, but also of resilience and hope, of what it means to be a Palestinian, and how that identity is continually being reforged; stories of ordinary characters struggling to live with dignity in what many have called ‘the largest prison in the world’.

Translated from the Arabic by Tom Aplin, Charis Bredin, Emily Danby, Alexa Firat, Alice Guthrie, Katharine Halls, Sarah Irving, Elisabeth Jaquette, John Peate, Adam Talib, and Max Weiss.

I’ve just started reading it and Simon is going to dip in and out as it is really interesting and relevant to him and his background.